|"Beauty in Death" -- Acrylic gloss, leaves, yarn, embroidery thread, copper wire, miscellaneous|
To plan for our layering project, Mr. Sands had us write out a list of 20 possible mediums to layer with. I immediately had two ideas, and I knew I was going to do one of them. For a while now I've been wanting to do a sculpture involving scraps of cloth and yarn hanging from the ceiling; I though maybe I could layer them to form a picture from afar. I soon realized that the effort required for such a project would be too much for just one person, so instead I turned to another long-held desire of mine.
Mrs. Koefler, my Art II teacher, often used a clear acrylic gloss to suspend thread, pictures, magazine clippings, and other miscellaneous scraps. After applying layer after layer, she could peel off the dried plastic and have a see-through collage. Because of that, I wanted to experiment with the gloss as well, but I decided to mix it up and try to make it 3D. Inspired by the beautiful colors of fall, I decided to layer leaves, then shine a light through the gloss to reveal the leaves' original colors and the new values created by overlapping.
|Testing -- Gloss or Modge Podge?|
The next challenge was the leaves. I went on several walks and collected many, but applying them directly with just gloss as adhesive didn't work. The leaves were too bumpy, refused to stay, and began rotting fairly quickly. I handily whipped out my flower press and began half-drying and flattening the leaves, and suddenly glueing them on became much easier. For the thicker parts, like the main veins and the stems, I used Elmer's glue. Trying to make one balloon at a time became too tedious; there was a lot of waiting time while layers dried, so I started a new balloon. To add another element, I drew some funky flower-esque designs directly on the balloon, and hoped the ink would stick to the gloss.
After I had my gloss-leaf layering technique down, the whole project became an experiment. I knew I was making orb-looking things with leaves stuck on them, but I didn't have an image of the final project. As I neared to the end of my layers, I started taking the stems off of the bigger leaves. I thought I could glue them on in little bunches to give the balloons more of a 3D effect. When I finally popped the balloons and peeled them away, the gloss didn't hold its shape as well as I'd hoped. To support it, I tried to make a skeleton out of copper wire, but in the process of hot-glueing it in, the stems began to break off. In the end, I just removed them.
As everything came together, the pieces seemed to lack something -- a definite meaning. Mr. Sands encourages us to make our art illicit emotion and express feeling. Leaves and gloss polymer don't really do that. Personally, I love the colors of fall. To me, they are an expression of nature's true wonder and beauty. When people talk about their dislike of the season because it is filled with death, I am shocked. So, I decided to combine the two concepts. Nature doesn't limp out its death; it explodes in a rain of color, making itself known. There is beauty in that, a beauty in death that is often forgotten. Too often we humans mourn our losses and pity ourselves, forgetting the true wonders that exist in the cycle of life. I embroidered the words "beauty in" on one balloon and "death" on the other to express that.
In order to have the words be read, I decided to have the two balloons on different levels. I balanced one balloon on a light on top of a candlestick on top of a box, and hung the other one from the ceiling. The copper wire inside the balloon allowed it to balance on top of the light without it falling through. When lit up in the dark, the colors of the leaves are revealed.
Although my leaf balloons didn't turn out the way I originally imagined, I like the spontaneity of the shapes. The gloss is fairly malleable, so the shape changes when you push on it. Though my domes aren't perfectly spherical, their lumpy shapes are fun and reinforce the message. Leaving the second balloon without a light also adds to the effect of 'death.'